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Funeral pyre burning on a brick ghat platform strewn with marigold garlands beside the river

Kathmandu

Pashupatinath Temple

April 2016

Pashupatinath Temple stands beside the Bagmati River in Kathmandu and is dedicated to Pashupati, a form of Shiva. The principal sanctuary is surrounded by an extensive sacred precinct containing hundreds of temples, shrines, rest houses, ritual spaces, and cremation ghats.

Pashupati forms one of the seven component zones of the Kathmandu Valley World Heritage property, inscribed by UNESCO in 1979. The designation covers the wider Pashupati Monument Zone rather than treating the principal temple as an independently inscribed World Heritage Site.

The Temple Precinct

Religious traditions associate the site with a much earlier period, but its precise foundation date has not been firmly established. The Pashupati Area Development Trust dates the present principal temple to 1697, during the reign of King Bhupalendra Malla. Earlier structures are believed to have been rebuilt several times.

The principal temple is distinguished by gilded roofs, plated doors, carved wooden roof struts, and decorative metalwork. Surrounding temples and shrines were constructed during different periods, creating a layered religious landscape rather than a single isolated monument.

These photographs concentrate on the outer precinct and riverfront. They document small shrines containing Shiva lingas, painted panels depicting Hindu deities and sacred narratives, sculpted religious figures, courtyards, stone steps, and ritual spaces beside the Bagmati.

Among the precinct’s groups of shrines is Pandhra Shivalaya, a row of fifteen miniature temples containing Shiva lingas on the eastern bank of the river. Additional temples and devotional structures extend throughout the Pashupati area.

Cremation Ghats

Aryaghat and Bhasmeshwar Ghat are active cremation and funeral sites along the Bagmati River. Families bring deceased relatives to the ghats for cremation and associated Hindu rites, often with guidance from priests and the services responsible for managing the ceremonial spaces.

The river is sacred within Hindu traditions. Cremation beside it forms part of a wider sequence of mourning, purification, remembrance, and post-death ritual. The funeral pyres visible in the photographs are therefore part of a living religious tradition.

Sadhus, or Hindu ascetics, are closely associated with Pashupatinath and are especially visible during religious festivals. They should not, however, be described generally as administering the funeral rites conducted at the ghats.

Photograph-Date Context

These photographs were made on April 28, 2016, approximately one year after the Gorkha earthquake of April 25, 2015. Official reporting described the Pashupati Monument Zone as comparatively less affected than several other components of the Kathmandu Valley World Heritage property, although conservation work on damaged structures within the precinct was continuing.

The photographs document Pashupatinath as both a protected historic complex and an active sacred landscape during Nepal’s post-earthquake heritage recovery.

Funeral pyre burning on a brick ghat platform strewn with marigold garlands beside the river
Man tending a burning cremation pyre with a long bamboo pole at the riverside ghat
Blackened stone offering ledge lined with brass lamps against a red-brick shrine
Vermilion-smeared linga in a round stone basin below a hanging brass bell
A man carrying a bundle passes a body wrapped in yellow and orange cloth on the ghat steps
Stacked firewood laid out for a cremation on the stone terraces of the ghat
Shrouded body on the riverside steps while families and stray dogs wait on the terraces above
Shelters built into a cliff face, strung with lines of prayer flags
Whitewashed cliffside dwelling painted with the Hare Krishna chant and "Be happy", a linga below
Man in saffron robes seated on a terrace wall below shrines lined with stone bull figures
Pagoda-roofed temples and stepped ghats along the Bagmati River in the Pashupatinath precinct
Wall painting of a many-armed goddess riding a lion and spearing a buffalo demon
Mural of Shiva seated on a tiger skin with a trident before snow-covered mountains
Ganesha painted on a blue wall panel beside a many-headed serpent rising from water
Painted panel of a blue-skinned deity with bow and quiver pouring water over a Shiva linga
Vermilion-coated stone carvings of Ganesha and a seated figure flanking a plain pillar
Men standing by shopfronts as logs are stacked for a pyre on a ghat platform

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